By: Tabitha Garnica
“How Do You Solve a Problem Like
Maria” ~ The Sound of Music
I always find interesting the
difference between casting for live theatre and casting for movies. In live theatre there is no auto-tune and it
is much harder to hide weaknesses. On Broadway, someone has to be equipped to
give a solid performance 8 times a week.
In movies, not only can you auto-tune; you can do a complete voice over
i.e; Audrey Hepburn in My Fair Lady
and Natalie Wood in West Side Story. Additionally, all they have to do is give
one good take, and they are set forever.
Using pop stars and movie stars for
movie musicals is not always popular among the theatre world. I know many people got upset when Zac Efron
was chosen to play Link in Hairspray. Additionally, when Marlon Brando was set
to play Sky Masterson in Guys and Dolls, many
people were not happy with the final product.
However, sometimes it works. I
have never heard anyone complain about Catherine Zeta-Jones in the movie Chicago.
I have heard mixed reviews about Russel Crowe playing Javert in the
upcoming movie Les Misérables. No one seems to be too nervous about Hugh
Jackman, but of course, he is a Broadway man.
When I first heard that Carrie
Underwood was slated to play Maria in a TV remake of The Sound of Music I was not sure what to feel.
When
I really thought about it, I doubted she had the proper soprano for the role. I expect her to be auto-tuned or maybe have
the keys transposed.
The pop world makes their living off
auto-tune. Yes, many of them do have
real talent. I know Underwood won
American Idol which does not include auto-tune.
However, pop singers can really get away with a lot. They make albums hiding their flaws with
technology and then get cast in a leading role in a musical that someone on
Broadway worked their vocal cords off mastering. If Underwood were to audition for this role
on Broadway, this would probably be a different story. Not to mention, I have no idea if she even acts
well. All in all, movies seem to be more about the name and Broadway is more
about the talent. That is why I have so
much more respect for Broadway performers.
Putting Underwood aside, I have a
question. Why the heck are they remaking
The Sound of Music?! It is a classic!
You cannot touch Julie Andrews! That would be like remaking Titanic or The Wizard of Oz. I just do
not see the need. I wish the movie
musical world could come up with new ideas for musicals rather than remaking
what is not broken. Did you know there
used to be a time in which movie musicals were made completely originally and
WERE GOOD! Bring back the days of Singin’
in the Rain! That musical was completely original. It had not been on Broadway and it was not a
remake. They better not remake Singin’ in the Rain. Gene Kelly would turn over in his grave!!
But why can’t we come up with our own original musicals without giving it a
nauseating sense of corniness or pop (High
School Musical)? They just do not
make them like they used to. Well, I
have high hopes for Les Miz at
least. Until then, let us give Underwood
a chance, but question what has happened to the movie musical world.
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